The clock and the circle

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Here is some very fascinating code. I call it “the clock and the circle”, where it follows that “the circle” is Pi. To do this code correctly, you must work with the correct “substrate”, which means “representation”. in relation to design.

Let’s break down the timing numbers.

A day is divided into 24 hours. This is the letter X. The 24-hour day is divided into 12-hour halves, roughly equivalent to “night” and “day.” The X can be split in half as shown in Dan Brown’s Da Vinci Code. If you don’t want to accept Dan Brown’s demonstration that the X comprises the inverted “V” as masculine and the “V” as feminine, consider the scan of “Starshift: 1948”, a Masonic piece published in 1948, which can be found on the “Illuminatus Observor” blog archived under the same title as this article.

It is not our position to provide “arbitrary values” to anything, as we hold that the layout of the Alphabet is the key and a rational and logical analysis of this key reveals the Construct in a precise and predictable manner. In the case of the “V” having a “value” of “6”, this is well established by the Isis Codes, which, as shown here, reveals that the V is located at the number 6.

In addition to the labials of F and V occupying column position 6, the actual phonetics of the word FIVE (FV) are also found in the number 6. This central truth is key to understanding the entire Illuminatus system:

1+2+3+4+5=15=1+5=6

Thus, the V as Feminine “5” adds 1 to itself to reveal the 15th Letter of O, which is the Feminine “egg”, “o-varies”, “o-pen-es”, etc. Five is 6.

The A as Six, The Secret of the Master Key of the Serpent

Here is another Key to the Illuminatus System, and indeed there are many “keys”, but they are very different from “Keys”. Note that the word KEY contains 2/3 of the word EYE. It is often necessary to have the “keys” before you can truly “see”. This “key” is essential.

The master number is 11011. It is made up of the rhyming pattern of A, J, and K, where A is placed at 1, J is placed at 10, and K is placed at 11. I recommend that you write them down. as it advances. Each of these numbers are “ordinal values”, or their usual location in the alphabet.

Let us now return to Genesis, Pi (3:14):Yahveh God said to the serpent: Because you have done this, you will be cursed among all beasts and among all beasts; on your chest you will walk, and dust you will eat all the days of your life.

What this means is that whenever “1” or “6” are displayed, it is often necessary to consider the possibility that they might be “1” if they are 6 or 6 if they are 1. The reason for this is again in the summary tables of the Letters.

When you have AJK, you have a declared value of 1,10,11, as a process of your ordinal letter placements. Set them up as 11011 as a single unit, “go to the belly of the snake”, aka “snake eyes” when playing “craps”, and you’ll hit the 6 on the belly, or whatever is resting on the table of the “craps table”.

That “1’s = 6’s” of a “Kabbalah” sense can be easily inferred by studying Kabbalah as practiced by the Setian centric forces, which is the work of Rabbi Ginsberg at Inner.org. On this site there is an article that seeks to deal with “Kabbalah and String Theory”,

“The full spelling of the letter yud is: yud (10), vav (6), dalet (4). The two additional letters, vav (6) and dalet (4) equal the original yud (10). The full spelling of the yud should be understood as an equation: 10 = 6 plus 4. The 10 dimensions of reality are divided into two categories, one of 6 and one of 4.

In Kabbalah, the vav (6) is considered the “masculine” element of reality, while the dalet (4) is considered the “feminine” element. The “feminine” principle of reality is “revelation”, while the “masculine” principle is hidden within the “feminine”.

These are literally false conclusions as so easily revealed by the Isis Code System, and a subject we will try to address later after more fundamental material is provided to aid in the determination of the esoteric codes at play, however, is enough. to say that Rabbi Ginsberg is using (essentially) the precise number patterns that we are using in relation to the X(10).

The “vav”, 6, is considered a 1.

The 6 and 4 (used in an additive formula 6+4=10) join to make 10 (X), while Continental Mason systems attribute the 4 V’s emanating from the center of the X to have values. of 6 and therefore 4*6=24=X Letter placement. In addition, the “summative formulas” of the letter locations of 1:X are also revealed to be “in play”, i.e. C = 3 = 1+2+3 = 6 = 1, since C is the alignment of the Sun , the Earth , and the Moon in a perfect line to create an eclipse.

The “1’s” as “6’s”

It is essential to intuitively understand the nature of V’s as “6” and “1’s” as “6”. What Dan Brown failed to reveal when he inferred that the X’s are both masculine and feminine, that the rising (convex) chevron (inverted V) is masculine and the rising (concave) chevron (V) is feminine, is precisely where the upper chevron or ascending chevron like an inverted V is precisely “el macho”.

This is so because the “male” is “Osiris” who “is the Sun” as it “rises” on the horizon. The letter A is often referred to as “the letter of the pyramid”, “the one-eyed God”, etc. The number sequence shown is taken from Plato’s Timaeus,

After this he filled in the double intervals [i.e. between 1, 2, 4, 8] and triple [i.e. between 1, 3, 9, 27] by cutting still other portions of the mixture and placing them in the intervals, so that in each interval there were two kinds of middles, one exceeding and exceeding by equal parts of its extremes —-All this compound he divided lengthwise into two parts, which he joined together in the center like the letter X, and folded them into a circular shape, connecting them to each other and to each other at the point opposite their original meeting point; and, understanding them in a uniform revolution on the same axis, he made one the outer circle and the other the inner one.fountain

There is a whole philosophy regarding Pi, the letter A, and the letter H, embedded in those sentences, but for now, understand that the “1” is the tip of the A, but still holds a hidden base (6) (2 *3=6=3+2+1=C)


So this is the “1” while the V is a “five” and 1+2+3+4+5 = V = the letter O is the Feminine, to get to the Letter Y as the child as a product of 3^ 2 + 4^2 = 5^, where the letter Y stands for 25, thus revealing the formula.

Solve for the clock and the circle

Now that you have a rational basis for understanding the relationship of V and V reversed to be “5” or “6”, and that each could be said to have a value of 1, and the 1’s to be “6”, we can now solve for “Clock and Circle”.

Study this clock first and then the next one.

What is the difference? Notice how the clock on the left uses IIII to represent 4, while the clock on the right uses IV to represent IV. Which one is correct? Why one or the other? Here are some comments.

dickory dock walnut

Here is a story that is perhaps also a “key”. Follow along.

Hickory dickory dock, the mouse ran the clock

The clock struck one, the mouse ran down

walnut dickory spring

continue until

Hickory dickory dock, five mice ran the clock

The clock struck five, the mouse ran down

walnut dickory spring

Now study the two clocks. If the V’s are 6 and the 6’s are 1’s, how many “1’s” are there in the first clock? What is the pattern?

If the V’s are 6 and the 6’s are 1’s, how many “1’s” are there on the second clock? What is the pattern?

The key is “through 5”, or the V.

Answer for clock 1

me = 1

II = 2

II = 3

II = 4

V = 1

Answer for clock 2

me = 1

II = 2

II = 3

IV = 2

V = 1

Which pattern seems more correct? This is really a basic “IQ” form of “pattern recognition test”. Obviously, if the KEY is 5, and the patterns are as follows:

Pattern 1 = 1,2,3,4,1

Pattern 2 = 1,2,3,2,1

And the SONG talks about “running up and down the clock”, does 1,2,3,4,1 run up and down the clock or 1,2,3,2,1 run up and down the clock?

Obviously, the latter “runs the clock up and down”, so it would be necessary to use the second clock for our analysis.

So here’s how it’s done.

me=1=6

V = 1 = 6

X = 11 = 66 = (2)

Now look what happens to our “clock”.

me=1=6

II = 2 = 66

III = 3 = 666

IV = 2 = 66

V = 1 = 6

IV = 2 = 66

VII = 3 = 666

VIII = 4 = 6666

IX = 3 = 666

X=2=66

XI = 3 = 666

XII = 4 = 6666

How many “6” are there? 30 sixes.

6 times 30 = 180 degrees, or half the circle.

30 times 12 = 360 degrees, or the full circle.

Therefore, the Code reveals Pi in the conceptual 180 degrees of the division of day and night, or if we allow the “30” to be multiplied by the 12 hours, we arrive at the 360 ​​degrees of the circle.

P.S. So why would the IV be swapped for an IIII? What would that reveal? Why, 32, of course. The decimal digits of Pi, of course. I bet you’ve never seen this nifty little code before.

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