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Persian rugs and rugs

Persian rugs are versatile, durable, and always stylish. They are made up of a layout and a design that generally includes one or more motifs. Persian rugs are typically designed using one of three patterns: all-over, central medallion, and single-sided. They are beautiful and sought after, yet many individuals and collectors of fine Persian rugs cannot find the selection they are looking for in their local area. They are popular in today’s well-designed homes, keeping rug prices on an upward trend. Persian rugs are the world’s “gold standard” of rug making, copied by other countries, but not equaled. They are sustainable art for the floor. Persian rugs are made through a process called weaving, which can take months or even years if they are handmade. Persian rugs are known as one of the oldest oriental rugs.

They add charm and sophistication to every room they grace, whether knotted with fur or woven without. Persian rugs have enchanted admirers for thousands of years and have universal appeal due to their elaborate designs and use throughout history. Persian rugs have a fascinating history, and the fact that they were in the possession of oriental royalty in ancient times is evident in their elaborate style and extravagant designs. They are well known for their high quality and are produced by a unique combination of national and international interests and were therefore also able to conquer international markets. Persian rugs were originally made in Egypt over four thousand years ago and have become a staple throughout the world.

Persian rug design can be described in terms of the way the rug field is arranged. They are closely associated with those of Khorasan, Kordestan, Hamedan and Azarbaijan. Each square becomes a knot, allowing for accurate interpretation of even the most complex design. For the more elaborate curvilinear designs, the patterns are carefully drawn to scale in the appropriate colors on graph paper. There are a number of patterns found in Persian and Oriental rugs called ‘motifs’, these designs have different meanings and tend to be used depending on the area the rug was woven into, although it is not uncommon to find more than one motif in a single rug. Persian rugs are typically designed using one of three patterns: all-over, central medallion, and single-sided. Artists would create the designs for the rugs and the best designs would be woven by the best weavers in the empire. The rugs are named after their designs, tribes, or places of origin. The more complex the design, such as the use of curvilinear lines instead of geometric ones, the higher the price of the rug. The shapes and overall pattern of these rugs are geometric, although in many cases the rug’s design tells a story or represents a special event.

Persian rugs are well known for their high quality and are produced by a unique combination of national and international interests and were therefore able to conquer international markets as well. The best high quality materials and superb manufacturing techniques were implemented in the royal factories to produce world class Persian rugs. These magnificent treasures were handwoven from high-quality wool and dyed with all-natural vegetable dyes (synthetic dyes were used later and would disqualify a Persian rug as “antique”). These rugs are made in the small town of Nain, which has always had a reputation for producing high-quality wool. There are many different textures, shapes, and qualities of rugs that may suit your budget and needs, so it’s a good idea to keep these factors in mind. High-quality silk or wool rugs are much more expensive than cotton or lower-quality materials. Regarding the number of knots, the higher the number of knots per square inch in the warp, the higher the quality of the rug. Carpet quality and designs declined; therefore, when the embargo was lifted in 1990, Iran lost control over the export of carpets to the United States. The quality of silk, wool and cotton threads should be evaluated and the use of natural dyes versus synthetic dyes should be evaluated, since natural is always preferred. Cheap dyes, low-quality wool, chemical washing, and even nonsensical designs supplied by European importers brought the industry almost to its knees.

Weaving normally begins by passing a number of wefts through the bottom warp to form a base from which to start. Carpet weaving has been a part of Iranian history for more than 2,500 years as a tradition passed down from generation to generation. Weaving a rug is not only a necessity for Iranians, but also a way of expressing community, identity, and artistic creativity, which Iranians are proud to recognize. Weaving is an art form, not just a way of creating rugs, and because they are designed and handwoven one at a time, no two can ever be exactly the same. Carpet weaving is undoubtedly one of the most distinguished manifestations of Persian culture and art, dating back to ancient Persia. The art of carpet weaving existed in Iran in ancient times, according to evidence such as the 2,500-year-old Pazyryk carpet, dating back to 500 BC. C. Sheep were specially bred to produce fine wool for weaving carpets.

The great carpet weaving fell back into the hands of the wandering nomads who had maintained their centuries-old traditions and skills, except for a few centers, mainly Josheghan, Kerman, Mashad and Azarbaijan. Persian rugs became very popular in European nations and the elegant rug weaving technique. They established many weaving workshops in Kashan, Esfahan, Tabriz, Ghazvin, Kerman and Josheghan and in other suitable areas of Iran. During the reign of the Safavid dynasty in Iran, the arts of calligraphy, gilding, tile work, painting, miniatures, architecture, and carpet weaving approached their previous highest level. Iranians are considered to be the carpet weaving beginners of ancient civilizations.

Knots are extremely important in determining the price of many rugs. The knots are counted on the reverse side of the rug. The base is silk and the pile is wool with a knot density of 300-350 knots per square inch. Depending on the fineness of the weave, the quality of the materials and the experience of the weavers, the number of knots in a handmade rug can vary between 16 and 550 knots per square inch. To operate the loom, the weaver needs a number of essential tools: a knife to cut the thread as the knots are tied; a comb-like instrument for tightening the wefts; and a pair of scissors to trim the pile. Two basic knots are used in most Persian rugs and Oriental rugs: the Turkish symmetrical knot or Ghiordes (used in Turkey, the Caucasus, eastern Turkmenistan, and some Turkish and Kurdish areas of Iran) and the Persian or Senneh asymmetrical knot (Iran , India, Turkey, Pakistan, China and Egypt). Other knots include the Spanish knot wound around single alternating warps so that the ends are pulled out on each side and the Jufti knot, which is tied around four warps in place. More knots per inch equals a finer, more durable rug. The single thread of the Senneh Persian knot allows for more fluid contours and seemingly finer work simply because these knots take up less space.

Artificial dyes are mixed together after cleaning Persian rugs and rugs. By using an electric sweeper and cleaning up spills with a mild detergent, your Persian rug can last for several generations. Allow rug to dry after cleaning, then vacuum to restore pile and texture. Mix cleaning solutions according to instructions. Taking care of the problem right away is essential when cleaning your Persian rugs. There are also a variety of services offered for cleaning.